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    Locating Taiwan Cinema in the Twenty-First Century

    Paul G. Pickowicz and Yingjin Zhang

    Cambria Press

    2020/09

    978-1621965459

    英文

     

     

    內容簡介:

    八○與九○年代台灣新電影帶起一波討論熱潮,其中也包括對許多知名台灣導演(如侯孝賢)的學術研究。本書在此學術基礎,以多元跨學科的方法進一步研究二十一世紀台灣電影,作者群從文化研究、歷史、社會科學等不同角度,閱讀不同電影文本與方法,分析導演如何處理新世紀台灣社會、經濟與文化各面向的演進。

     

     

    專書目錄:

    Acknowledgments

    List of Figures

    Introduction: Locating Taiwan Cinema in the Twenty-First Century (Paul G. Pickowicz and Yingjin Zhang)

    Part I. Taiwan in Context: Markets, Cultures, Politics

      Chapter 1. Taiwan Film Market in the New Millennium: Creative Industries, Social Networks, and Soft Power (Yingjin Zhang)

      Chapter 2. Totem—Song for Home: Trans-Asian Cinema or Translocal Imagination? (Daisuke Miyao)

      Chapter 3. “I Know That Song”: Taiwanese Fantasies of Japanese Authority in Kano and Cape No. 7 (Andrew Morris)

      Chapter 4. Local Histories/Global Recognition: Taiwan’s “Japan Complex” and Nostalgia for Global-Connectedness (W. Z. Hill)

    Part II. Genres in Focus: Comedy, Protest, Documentary

      Chapter 5. Farewell, China Nostalgia: A Case Study of Commercial Cinema in Taiwan (Shaohua Guo)

      Chapter 6. The Protest Film Genre in Twenty-First-Century Taiwan Cinema (Paul G. Pickowicz)

      Chapter 7. Taiwan from Below: Settler Colonialism and Environmental Protection in Beyond Beauty: Taiwan from Above (Sang Eun Eunice Lee)

    Part III. Artists at Intersections: Sound, Photography, Performance

      Chapter 8. Le Moulin: Audiovisual Non-Synchronization and the Making of a Historical Documentary (Andy Birtwistle and Kuei-fen Chiu)

      Chapter 9. At the Intersection of Cinema, Photography, and Painting: A Study of Chung Mong-hong’s Parking(Chihho Lin)

      Chapter 10. Filming and Performing the Girl Next Door: Kwei Lun-Mei and Her Xiaoqingxin Glamour (Pai Wang) Part IV. Crises in Spotlight: Ruination, Precarity, Corruption

      Chapter 11. Historical Sensibility in Tsai Ming-liang’s Philosophical Meditation in I Don’t Want to Sleep Alone (Jiann-guang Lin)

      Chapter 12. Miserable Company: The Precarity of Migrant Workers in the Films of Midi Z and Tsai Ming-liang (Thomas Chan)

      Chapter 13. The Secret Beauty of History: Remaking the Femme Fatale in Yang Ya-che’s The Bold, the Corrupt and the Beautiful (Shu-ching Chen)

    Bibliography

    Filmography

    Glossary

    Index